
Nedo Pandolfi 9/21/09
I was fortunate to spend more than my fair share of time with Mr. Pandolfi in the piano room of his shaded house on Gene Allen road. There were times when I would look forward to our visits and, if I hadn’t practiced much that week, times when I didn’t. I remember Pauline relaying messages from the kitchen and the smile in his eyes belied his authoritative and serious-sounding retorts. I remember leaning on the pool table in the basement, putting a cold mouthpiece to my lips and pushing the first tentative notes of warm-up exercises through stiff valves and a frigid horn and hearing him yell over Dan Boucher absolutely kicking ass on the 3rd movement of the Hummel Trumpet Concerto upstairs at what could only be called a discouraging tempo,”Jesse, that’s B flat!, B flat my boy!”. I remember playing, refining, and re-playing and re-refining countless scales, slurs and passages from the Arban method which to this day the three middle fingers of my right hand recall autonomously whenever they are put to a flat surface.
More importantly, however, I remember the quality of attention he committed to our time together. I think I remember this particularly because I’ve not encountered it in another since. This attention went beyond simply listening to the timbre, time, pitch and duration of the notes being played, and seemed to encompass his whole faculty and experience in a dedicated instant as if there was nothing outside that room, that space, that moment. He could see and hear things others couldn’t, things beyond words, things that we call music for want of vocabulary, and his genius was in communicating it to others, so they could see too, if only for a little while.
Despite my best attempts to foil him with extraordinary, adolescent ego, he managed to teach me to discover and cultivate the same attention; to attend totally to what is – with all of mind, heart, everything. And for this there are no words to thank him. It is beyond words. Or rather, before words become relevant.